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Analysis of "Sonnet 109: O! never say that I was false of heart" by William Shakespeare

Original poem reprinted online here: "Sonnet 109: O! never say that I was false of heart" by William Shakespeare Originally read: February 14, 2013 More information about the Poet: William Shakespeare There's plenty of analysis on this poem -- well all of Shakespeare.  And usually Shakespeare sonnets deal with love, or cheating, or being in love while cheating.  Well this poem is about cheating on his rose (by any other name would smell just as sweet) and still be in love with her. Charming. So this poem is an Elizabethan sonnet, but instead of separating the poem by the rhyme scheme (three quatrains, and then a couplet).  This poem is connected together like a narrative -- unlike the speaker and his "soul." The opening line suggests that there's an argument and the speaker is playing defense, "O never say that I was false of heart."  There's an implication that he was called false of heart.  From hear the speaker then goes on to separate his ...

Analysis of "I Said to Love" by Thomas Hardy

Original poem reprinted online here:  "I Said to Love" by Thomas Hardy Originally read: January 12, 2013 More information about the Poet: Thomas Hardy I didn't write this down in my notes, but after rereading this poem, I imagine a narrative, similar to how I saw a narrative in Ministry Today by Steve Davenport even though, more or less, this is a lyric poem.   I, once again, imagine two guys at a bar talking about love this time (other time it was about God). The anaphora of "I said to [...]" brings a dialogue quality to the poem.  When the speaker is addressing "love," really, the speaker is just exposing his own thoughts about love.  For example, in the first stanza, "When men adored thee and thy way / all else above;"  Although the speaker tries to look at the subject a bit objectively and take himself away from the "men."  The further the poem gets, the more personal the poem becomes. I think I questioned when the speaker wrot...