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Showing posts with the label Elizabethan Sonnet

Analysis of "Holy Sonnet 7" by John Donne

Original poem reprinted online here: "Holy Sonnet 7" by John Donne Originally read: February 28, 2013 More information about the Poet: John Donne This wasn't a poem a day.  I wanted to reread this poem in conjunction with the previous poem I analyzed "Tis Late" by April Bernard which alluded to this poem.  I would write about the connection between both.  The allusion to this poem in "Tis Late" comes in the third person part where the previuous script writing graduate student reciting this first line of this poem., "At the round earth's imagined corners, blow."  It might be a jump into the academic intelligence doesn't necessarily bring real world experience. Rather this poem, goes from epic religious request to a more personal internal strife.  Every four lines in this poem uses different techniques -- and although that would mean different subjects (the usage of a different technique like from first to third, or from narrative to li...

Analysis of "Sonnet 109: O! never say that I was false of heart" by William Shakespeare

Original poem reprinted online here: "Sonnet 109: O! never say that I was false of heart" by William Shakespeare Originally read: February 14, 2013 More information about the Poet: William Shakespeare There's plenty of analysis on this poem -- well all of Shakespeare.  And usually Shakespeare sonnets deal with love, or cheating, or being in love while cheating.  Well this poem is about cheating on his rose (by any other name would smell just as sweet) and still be in love with her. Charming. So this poem is an Elizabethan sonnet, but instead of separating the poem by the rhyme scheme (three quatrains, and then a couplet).  This poem is connected together like a narrative -- unlike the speaker and his "soul." The opening line suggests that there's an argument and the speaker is playing defense, "O never say that I was false of heart."  There's an implication that he was called false of heart.  From hear the speaker then goes on to separate his ...